young jessie is one of the unheralded greats of the r&b, rock & roll and soul eras. beginning his career as a young teenager in la vocal group the flairs (with schoolmate richard berry, later of louie louie infamy), he then signed on with modern records and cut several high quality r&b sides through the mid-1950s

nice price deal !!! following the albums opening single home sick backed by a remix from mgun earlier this spring, la based artist esteban adame delivers his first album for epm in the shape of day labor

after ipoly mates bracing ignition worlds are colliding on ipoly mate 002, just as alec troniq loves it. strong voices and discreet acoustic instruments meet electronic grooves. electronica hits rock music, pop strikes tech house. alec involves rock, jazz and pop musicians here.

key fachwerk team member sascha rydell is back on his home label founded by mike dehnert with another ep of searing techno.

more like encouraging advice than a description of our sound. a home for music of the night. music to make you wonky and stay out longer than you planned. dilo is from argentina but makes music in berlin. hes been flying under the radar but not for long. this track is slinky and tripped out and we love it. we also love mathias meyers music and alongside patlac theyve been creating some magic as of late. strings and tight beats make for a more emotional journey which we also like.

the new chromeo album *white women* on heavyweight 180 gram double vinyl. comes in gatefold sleeve with downloadcode included.

the unique and barnstorming trio from paris dop are back on the home turf of circus company with killer new single close up including remixes from catz n dogz, san proper. combining a dynamic groove with jaw’s unmistakable sultry drawl and a dreamy soundscape of deep chords and warm pads, the original mix is an addictive slice of vivid vocal house.

nelistening back, ‘interlude’ will feel like the perfect opening to ‘skylax’. a jazzy encore crawls in, morphing into a skippy hip-hop instrumental with jason’s signature flourishes all over it. aptly named as it is, this is the breathing space between whatever came before in your day, and the eleven deep house gems that are to follow. speaking of, ‘the love’ will have you gripped from the first bar. it glides the listener in, then subtly drops that signature, tightly-tuned bassline of jason’s and continues onto soulful vocals from there. ‘old dayz’ touches on a bit of a nostalgic note. the spoken vox cuts harken back to 90s hip-hop joints, playing over a looped latin sample-led beat. from there, ‘rawkicks 2’ shows jason’s rough and ready sampling style in action. a seemingly simple track, but one which has that special something which guarantees to keep people on the floor moving for its duration. ‘cut b’ contrasts this nicely, being a much cleaner production with tight drum programming and synth work. that said, it still has the classic jg atmosphere we love. closing out the first half of the album, ‘definition’ slows the pace ever so slightly, with its eternal pad structure that builds up the track’s momentum into something very mellow and deep.bringing in the second half of ‘skylax’, ‘john blue’ takes things back a notch further. a deeper tune, yet one that shows off an uncharacteristically punchy bass hit from jason. ‘last night’ is a track more reminiscent of jason’s first lost cuts ep on wax classic, sounding as if it had been freshly taken off an old tape with its sample-led beat and background hiss. the last four tracks of the album see a return to the ‘mastercuts’ and ‘lovedits’ series which fans will recognize from the ‘lost cuts’ records, with ‘lovedits 7’ and ‘mastercut 5’ respectively. the former is a laid back female vocal edit with the entire suite of signature jg touches while the latter is a garage house hit more crafted for the club. ‘bb’ brings the album to a close, twisting a disco/funksample over a pallet of drums and effects for the near six-minute duration of the track.all in all, this is the perfect follow up to jason’s debut album ‘313.4.ever’, with tracks for both the club and home listening. if you happened to miss the first album back in 2012, don’t forget that now you have the chance to grab it in a special double pack with ‘skylax’ on cd!so, needless to say, this timeless record is a must purchase for all collectors and djs out there

by now, frak needs no formal introduction. lets just say they are the swedish house mafia for people who actually know what house music is. lately, there has been somewhat of a surge in house and techno influenced by synth, ebm and obscure sub-genres that ends with >wave<. so the timing couldnt be better for frak to return to kontra-musik with this remarkable synth and acid flavoured release.

the debut release for atrophic society, home to label founder vohkinne, is the culmination of years of experimentation with different ideas and aliases. slithering and raking across heavy groundswells, centering around a whisper and a groan, chanting through the thud of drums and ritualistic rhythms, battery introduces us to vohkinnes vision. different from its origin, breeding an atmosphere of deliberate anxiety without fear or compromise, the veteran ben sims crafts a clenched fist,unrelenting in purpose. dark and urgent, both interpretations ring clear through the fog.

nice price deal !!! free usa is the first full-length album by protect-u, the washington, dc-based duo of aaron leitko and future times records co-founder mike petillo. the record was written, recorded, and mixed throughout 2013 at protect-us home studio and mastered by matt colton at alchemy mastering. the tracks on free usa were jammed into being and then laser-cut into exact shapes. on their two future times eps - double rainbow and world music - leitko and petillo poured layers of ambient drift onto nearly-steady house foundations, creating long and propulsive zone-outs.

the infamous planet rhythm imprint is celebrating its 20th anniversary in 2014. 20 naturally is a landmark-age and shows the label s ongoing persistence and hunger to catch the right beat. over the years many sounds within the techno genre have been showcased on this warm and respected home. coincidentally the label (now situated in rotterdam) just got onto a new a new flock of producers making their way into the crates of respected djs and like minded people wordwide.

circling sydney as the most prodigious producers in their adopted home, tuff sherm (perth-born eugene hector / dro carey) and cassius select (canadas lavurn lee / guerre) guise-up for a split 12 that follows dros seven-date debut european tour, and cassius breakout one ep on gardlands hunter gatherer imprint. returning home after a string of releases via merok, ramp, opal tapes and the trilogy tapes, tuff sherm shifts the counter balanced brilliance of dro carey with beast numeral - a six minute succession of classic house jaunts.

following on from the massive finger edits release in october last year we are thrilled to welcome back reverend p for another home run on basic fingers. the a-side *angels in africa* is a deep and soulful uptempo number. the smooth percussion infuses softly with its modern synth textures and provides the perfect backing to bumping in your 85 pontiac parisienne. on the flipside the good reverend is offering another rework so tasty your dancefloor will be munching out of the palm of your hand, *just in strawberry*.

wolfram says: i started to record the track cant remember when i was in africa and some riots happened in egypt in 2013. it was a weird time so it turned out to be a dark tune with robotic vocals. i recorded the vocals for the track talking to you when i was on tour with andy butler in the hotel room on my macbook air. basically its him saying this beat is talking to you and i recorded some burp sounds on the flight and train home. i invited him to my home studio to change the demo vocals, but he felt asleep on the chair next to me. so, i thought maybe i should just the use the demo macbook vocals.

der erfrischende psychedelic-pop des gleichnamigen django django debütalbums wurde 2012 direkt für den mercury prize nominiert und in den weltweiten jahresbestenlisten abgefeiert (musikexpress #1, nme top 10, us-rolling stone top 30). nun stellt die band ihre persönliche afterhours-session zusammen, in der sie zeitlose perlen aus den plattensammlungen ihrer eltern (roy davis jr, nilsson, james last) mit hip hop und modernen bass-sounds von heute (ramadanman, tnght aka hudson mohawke & lunice, outkast) mischen, ohne dabei ihre einflüsse von sonnengetränktem sixties-pop (beach boys, seals & crofts) zu vergessen. als exklusives bonbon steuern django django zudem eine eigene coverversion des *porpoise song* von the monkees bei. und wie üblich beendet eine exklusive gutenacht-geschichte jedes set, diesmal erzählt von topdarsteller benedict cumberbatch, bekannt aus filmhighlights wie *12 years a slave*, *star trek* oder *the hobbit*

miss djax is proof that age doesnt necessarily always bring peace. for 25 years now, she has stomped on the face of techno and acid with hard punishing beats and radioactive 303 sounds.
with her new release *from within* she goes back to the acid sound of the nineties. she recorded the 4 tracks live in her little analog home studio just like in the old days. *from within* is a tribute to her old-skool fans. a release on solid 180 grams yellow coloured vinyl in a limited edition of 200 copies only.

time for another dirty south rider, going deep south back to the a. its been two years since his landmark debut on peoples potential unlimited, now b is back with his latest long play entitled -ii-. eight previously unreleased selections from hotlanta producer wes gray, recorded over the past couple of years at his home studio. moon b s signature slank rhythms and cutting basslines you ve grown accustomed to are all here.

jiaolong011 sees daphni teaming up with composer/arranger owen pallett (final fantasy/arcade fire/beirut etc..) the a-side has been a staple in daphnis dj sets for the last year delivering bassweight worldwide. *that track is an enigma - when i listen to it at home it seems relatively innocuous but when i play it out all hell breaks loose*, says dan. the b-side is something even more strange and special - tiberius is perhaps the worlds first microtonal electroacoustic violin techno track.

the legendary tony rohr graces phobiq with his presence and offers two tracks alongside his new partner-in-crime layton giordani. the ep starts out with the sparse arrangement of -careless suggestions-, driven by a locomotive bassline and grinding rhythm section. moody stabs reinforce the bleak vibe, and the vocals coming at us from otherworldly black holes only add to the mood. label boss sasha carassi steps up for the remix in his trademarked stomping style, making use of hypnotic elements and the busy claps from the original. industrial-sounding hi-hat action drives his interpretation all the way home, after an apocalyptic breakdown, of course. on -reggae shiz- things are more stripped-down with bare drums holding everything together, as the rest of the arsenal slowly builds around menacing chords and a rocksteady groove. behind the spotlight, liquid bass comes together with quirky percussion to complete this almost-10-minute-long opus. dema maintains a sublime, shadowy mood in his version but opts for busier hats and heavier usage of chords.

cgi is proud to present the debut of 2 new duos who are experts at making their synths and sequencers sweat divine moisture. lyman-alpha forest is a new collaborative project between producers grey people (proper trax, finale sessions) and talk (deconstructure). as a duo they work to bring acid into new territories with their heavy, low-slung approach to producing melodic-and-spacious yet tight-and-focused slow-burning club-weapons. whether or not this is due to a stroke of compositional genius or if it is simply a side effect of the high levels of sizzurp found in the tap water in their hometown of nashville is irrelevant, but the effect is intoxicating all the same. travel 7 hours up i-65 and you will end up somewhere in chicago where afterburner spends long cold winter nights painting vivid synthesized tapestries as epic as the citys skyline. the duo of nicholas reed (windbreaker) and travis thatcher (voice of saturn) employ an aresnal of modular and analog gear to produce lushly cinematic tracks that chug along like classic moroder productions while simultaneously evoking the rich melodicism of kraftwerk. whether you listen to them at home in the headphones or on the dancefloor in the club, these tracks will take you on a wild ride.

after a brief hiatus church are back with a debut offering of original material from apes. the a side *two thousand six* is a straight up techno work out, having been tried and tested this track is aimed directly at the dance floor. chaos in the cbd are on board for the remix taking us on a journey of warm, deep, subtle analogue house fresh off the back of their stand out track *78 to stanley bay*. the b side *cold love* goes some way to show apes’ versatility as a producer, it’s a nostalgic piece of work, with a pulsating bass-line driving through the track along with intricate percussion and a choice vocal sample to round things off. cold love is equally suited for the club or for home listening. apes right hand man seb wildblood takes the track in a slightly different direction, using elements of the percussion and transforming the vocal sample for a delightful melodic contribution to the ep. early support from paul woolford, breach, ben pearce, dusky, alexander nut & more.

after releases on dont be afraid and astro:dynamics, as well as a contribution to fifth walls no person is an island v/a charity compilation, berlin-via-london producer alis returns to hound scales and divvorces fifth wall imprint with the apache ep. the a side is home to her two original productions: *apache*, a waterlogged, wind-blown journey through arcane, genre-bending techno, and *modus*, a more direct outing with an acid line that could take the paint off your mothers car. two sweltering reinterpretations of *apache*, one by brooklyn tunesmith ital and another by fellow fifth waller matrixxman, populate the b side.

it is the first single he has released on a label besides 100% silk, the home of his two full-lengths and three eps. this shift is embodied in the tracks, too, as octo octa sharpens his effervescent sound to a harder, more floor-focused edge.

n a rainy late september day in the mid eighties, 7 year old phillip lauer didnt know what to expect from that little new born g, who was referred to as his brother jacob. on the other hand, baby jacob wasn t very sure of what to make of this - back then still sporty - youngster either, who behaved like his boss. to make a short story long it took them almost 30 years to finally find out - behind the helm of the infamous pyramide 2 studio when conducting this fine piece of home made dance music: the brudis ep

strictly limited vinyl only project / 200 hand stamped copies, the first impressive silver ash release is an outstanding quality dub techno 2 tracker pressed on clear 10 inch vinyl. the first in a series of 3, the a side >dmtc< presents the more uptempo offering of the 2 tracks, whilst >seasonal shift< is a deeper affair equally suited to home listening as it is the club. lovingly mastered at curved pressings uk. artist details are undisclosed... sorry its sold out , and no repress

strut teams up once again with rodion rosça, romanias rejuvenated electronic music pioneer, to make available an intriguing lost film soundtrack for the first time anywhere. inspired by early 80s star wars mania‚ victor antonescu had first created *misuinea spatiala delta (delta space mission)* as a domestic animated tv series in 1983. despite recording a 15-minute prototype score, rodions music was tragically shelved at a late stage, remaining an unreleased oddity in his archive until now.

*jamaica selects jump blues strictly for you - jamaican sound system classics 1944-1960* ist der nachfolger zur erstklassigen *jumpin the shuffle blues* compilation auf fantastic voyage. das doppel-vinyl ist auf 500 exemplare limitiert.

this is the long awaited comeback of the gang of five - dscrd - to their first home - dement3d.

the winter is almost gone and luettje luises mama comes out of hibernation. with a new playground at home, it will take a talented hand to prepare for the upcoming spring. along comes nutia, sowing his seeds of *raounuor*.

shadeleaf reaches out to the tribes and comes home with a serious crop to see us through! for their debut v.a selection *please come correct* thatmanmonkz has pulled in some serious talent from the fringes of forward-thinking house.

here it is, the tenth and final chapter in the seaghdha story, as lo shea wraps up a monumental series with a special, limited 12 inch & cd compilation package. first up we get four more new tracks on the wax, its on is an atmospheric, driving house jam complete with melodic guitar effects, which ride the groove and combine with the devilishly deep low end to startling effect. got swagger strips things right back to the bone, a skeletal rhythm framework, those trademark atmospherics and rock solid low end. buchsheff sees us back in familiar lo shea territory, with a powerful warehouse rattler. finally to be sure brings it all home with a cinematic ambient piece. as if that wasnt enough we also have a hand-stamped cd comp, featuring those classic cuts from the earlier part of the series, which are now fetching serious change on the second hand market it is a great package, and a serious send off for what has been a hugely successful & widely supported musical endeavour.

red-hot limited reissue of the juggy murray jones super rare double-header from 1976. released on juggys own jupiter records, side a features the extremely hard-to-find long 12 inch version of *inside america* - jones blistering disco tribute to americana which was huge at mancusos loft parties and levans paradise garage as well as hitting big across the us and also finding a spiritual home with the soulboys of the uk. flip over for the more relaxed but equally floor-friendly vibe of *disco extraordinaire*. essential disco rarity - dont sleep!

san francisco threepiece live band pillowtalk are surprising dance music treasures. manipulating pop melodies, classic r&b, soul and boogie into the loose rhythms of house music and performing live on stages in nightclub settings across the world, they have bridged an impossible gulf between worlds and created new expectations for electronic producers and live musicians alike.

best single ever! (dj hell)support from the likes of ewan pearson, eric duncan, kiki, busy p, joris voorn, laurent garnier, and michel cleis

1810, blind jack (john metcalf) sadly passed away at home in spofforth, north yorkshire. dream house volume 1.4 delivers even more depth to their winding journeys. featuring specifically invited artists heko, marius, gnork and new boys lock eyes!

in certain times special things reoccur. raydilla returns to his warm pulp home with a balanced 4-track ep. the title track the feeling is that signature raydilla sound that combines nice thick drums with a grooving bassline and some moody chords nicely sitting on top. the vocal sample comes in sporadically to finish it off.
this is a vinyl only release.

twilight will represent the sound of delano smith today, with an eye to the future, yet strong connections to his roots. this album is dedicated to the true vinyl lovers and supporters that have followed delano over the years. this project will be released as vinyl version only. the lp will be spread over 3 x 12 records and will include 11 new and exclusive tracks in a beautiful sleeve designed by sushitech home designer kerry roper.

here it is, the first release of god made us funky records. a four track split ep with 90s house taste, home cooked by donato capozziand antonio amilcare di benedetto. oooh, is an absolute chick magnet, no more worries about to many guys on the floor!

deluxe edition of maya jane coles album *comfort* on double 12 inch vinyl with 5 additional tracks. download code included.

phonica unveil the second in a series of three 12inch samplers featuring a selection of tracks from their new compilation ten years of phonica.

jimi tenor and nicole willis sublime herakles label returns with haunted by hallucinations, the new bandproject from petri tokkannenm mastermind of the fabolous finish soul investigators group. guitarist petri toikkanen, who graces the liner notes of nearly all the soul investigators (home cooking, keep reachin up) releases, as one of the formidable composers of the musical group, makes the debut on this self titled new bands album.

with the second release of the new year, culprit delves deeper into the nocturnal, melodic side of its sound by presenting balcazar & sordo, dance spirit + discern with calling for you featuring shawni. following the template set by the title track from adriatiques midnight walking ep that opened 2014 for the label, the calling for you single is another lush piece of pulsating electronic house. the artists behind it are truly a global creative collective that connects culprits home base of los angeles with london, guadalajara (mexico), and berlin.

people must jam follow up the superb (and instant sell-out!) floor jammers vol. 1 with an absolute surefire jam from mark seven! my caesar is an irresistibly stripped back, melodic and atmospheric workout, consisting of those crisp mark seven rhythm tracks we so love on his parkway rhythm label and a spine-tingling soul vocal sample that pulls the whole thing together perfectly before a weighty & metallic detroit style low end takes us on home. in our humble opinion - it is a future classic!

san proper returns to home territory with his first 12 inch for longtime friend tom tragos rush hour voyage direct imprint. featuring two loose, winding tracks packed with cozy warmth and fluid live instrumentation, leave it up to all of us further enhances his reputation as a producer with a deep understanding of the groove.

yumi zouma sind freunde aus neuseeland, die in new york und paris leben. ihre musik ist stylish, spielerisch und intuitiver electro-pop vom feinsten. leichte gitarren noten sitzen auf programmierten drums und bilden das gerüst für die sanften und suchenden vocals. die vier songs auf yumi zoumas ep sind zeitlich und auf anhieb sympathisch. das 10 inch vinyl erscheint inklusive download-code.

cyan341 is bethnal green boy mark streatfield, returning to uncharted audio here with his new ep *coal train*. released ahead of the full length *far from home* album, this ep follows his earlier *disconnected* and *pattern 4* releases on uncharted audio (licensed by james zabiela and championed by the likes of move d and benjamin brunn). when we first heard the opening track it was signed on the spot – probably one of the finest uk techno rumblers we have heard in many a year.

after a successful first year, untzz twelve inch start off 2014 with their first extended player, a collaborative offering between friends freddie norwood & dass on 180 gram vinyl. freddie touched gold since his debut they never used to stay out all night, winning the hearts of selectors and home listeners alike, and the tongue in cheek how low can u go went on to become an anthem of both european and australian summers. all the while dass has maintained a strong presence in the shadows, honing a dark and atmospheric sound that remains inviting for the creatures of the night. together, they have crafted an elegant and timeless record showcasing a further look into what is still to come from untzz twelve inch.

four releases in and luca bacchettis endless is making waves, establishing itself as a home for beautifully crafted and exotic house music. for its fifth, the barcelona based imprint welcomes a us producer who not only learnt from, but stands shoulder to shoulder with, many of the sounds founding artists, mr alix alvarez